I told you that I was about to have a baby and didn’t know what to expect at the hospital which I was heading to after work. I can remember that day when you and I were filming that scene in F4 where we were eating Chinese food and we had a brother combat scene which ended in you saying ‘Letty just wanted you to come home Dom.’ When we were done filming that day you came into my trailer and asked, what’s on your mind? You always knew when something was on my mind. The Fast and Furious star shared a photo of both their daughters and remembered the sage advice that Paul offered him. This one definitely deserves a watch.Hollywood actor and the close friend of late Paul Walker took a trip down the memory lane and penned a heartfelt note to his eighth death anniversary. It's like a homage to all women who find themselves locked in similar situations and trying to breakdown the thick walls of patriarchy.
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Despite being behind a veil, Vidya impeccably shows her discomfort when her son casually suggests to his father how to tackle a problematic woman: "Toh ussey utha lo na, papa!" That’s an epic moment when she realises that she must go above and beyond to dismantle patriarchy in her family.Īll said, ‘Natkhat' effectively combats patriarchal culture in a short 33-minute timeframe. The mother-son bond will warm your heart and even move you to tears in many scenes. Her character hits hard on toxic masculinity, and she’s at ease sharing screen space with a debutante child artist, Sanika Patel. However, the characters have the depth and bring the required intensity with their acts.ĭressed in simple sarees, Vidya Balan (who has also co-produced this film with Ronnie Screwvala), plays her role of a home-maker and a loving mother with conviction. Initially, the narrative takes a long time to establish Sonu’s personality traits, especially the negative influences in his life.
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The story and background score are artfully combined to expound the qualities and analogies between women and birds, kings and young brats. With the help of a bedtime story-of Raja Rudra Kumar and his daughter Urmi-the protagonist talks about a society without women and the world which is more or less dying owing to its own insanity. The screenplay has been meticulously written by Annukampa Harsh and Shaan Vyas. The dining table scene, in which all of the men in the house are eating and women are serving them chapatis, is wonderfully shot to illustrate the significance of the male-female power dynamics.
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Shaan Vyas brilliantly illustrates the same in this social drama while wearing the director's hat for the first time. Notions like "boys will be boys," "boys don't cry," have been so deeply ingrained in our socio-cultural fabric that often young minds imbibe these unknowingly. She takes matters into her hands by teaching Sonu about the values of equality through the age-old art of bedtime stories.
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Sonu's mother, on the other hand, is concerned about the possibility of her son inheriting deep-rooted traits of male chauvinism. REVIEW: ‘Natkhat' revolves around the story of Sonu (Sanika Patel), a 7-year-old boy who comes home one day nonchalantly brags to his father and grandfather about abducting his female classmate at school and ‘teaching the girl a lesson.' On one hand, the family patriarch smirks and says, "Ladka hain, ho jaata hain," implying that Sonu is simply influenced by television, and that he should limit his viewing to the Ramayana and Mahabharata from now on. STORY: A tale of a doting mother (Vidya Balan) who uses age old yet unique way to steer her son Sonu (Sanika Patel) in the right direction.